Few know that the game evolved from a German doctor and poet by the name of Justinus Kerner (1786-1862), who, in 1857, created a book of poems inspired by the symmetrical shapes he created with inkblots. Kerner called his abstractions Klecksographen, (translated “Blotto-graphs”), and were enhanced by hand to create surreal, anthropomorphic creatures. Though his book was not published until after his death in 1890, it became the spark that influenced not just parlor games but the future career of young Hermann Rorschach.
For the last 60 years or so, the Rorschach test has been used as a psychoanalytical testing tool by many psychologists, and at the same time, discounted by scores of medical professionals who call the test worthless and tantamount to a scam. But one thing is sure — the inkblot has come to personify mystery, interpretive analysis and the science of psychology as a whole.
By the 1960s and 70s, the Rorschach test was commonly known, at least enough to where the idea of it made its way outside the lexicon of psychiatrists and into the mainstream vocabulary. That’s where the symmetrical inkblot became known in popular culture, and in 1984, was “pop” enough to be used by Andy Warhol (1928-1987) in several dozen large paintings.
And yes, the inkblot eventually made its way to advertising, where it continues to be used off and on to this day.
![The Inkblot and Popular Culture](/media/images/04.28.13.01_525.jpg)
Photo of Hermann Rorschach, c. 1910
![The Inkblot and Popular Culture](/media/images/04.28.13.04.jpg)
Justinus Kerner, page from his book Klecksographen, published 1890.
![The Inkblot and Popular Culture](/media/images/04.28.13.05.jpg)
Justinus Kerner, page from his book Klecksographen, published 1890.
![The Inkblot and Popular Culture](/media/images/04.28.13.06.jpg)
Justinus Kerner, page from his book Klecksographen, published 1890.
![The Inkblot and Popular Culture](/media/images/04.28.13.07.jpg)
Justinus Kerner, page from his book Klecksographen, published 1890.
![The Inkblot and Popular Culture](/media/images/04.28.13.08.jpg)
Justinus Kerner, page from his book Klecksographen, published 1890.
![The Inkblot and Popular Culture](/media/images/04.28.13.13.jpg)
Justinus Kerner, page from his book Klecksographen, published 1890.
![The Inkblot and Popular Culture](/media/images/04.28.13.14.jpg)
Justinus Kerner, page from his book Klecksographen, published 1890.
![The Inkblot and Popular Culture](/media/images/04.28.13.15.jpg)
Justinus Kerner, page from his book Klecksographen, published 1890.
![The Inkblot and Popular Culture](/media/images/04.28.13.16.jpg)
Justinus Kerner, page from his book Klecksographen, published 1890.
![The Inkblot and Popular Culture](/media/images/04.28.13.17.jpg)
Justinus Kerner, page from his book Klecksographen, published 1890.
![The Inkblot and Popular Culture](/media/images/04.28.13.20_525.jpg)
Andy Warhol - Rorschach, 1984; Synthetic polymer paint on canvas
Collection of the Museum of Modern Art, ' 8 1/4" x 9' 7" (417.2 x 292.1 cm)
© 2013 The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.
![The Inkblot and Popular Culture](/media/images/04.28.13.21_525.jpg)
Andy Warhol - Rorschach, 1984; Synthetic polymer paint on canvas
© 2013 The Andy Warhol Museum, Pittsburgh;
![The Inkblot and Popular Culture](/media/images/04.28.13.22_525.jpg)
Advertisement, c. 1955 for A.G. Becker & Co.
![The Inkblot and Popular Culture](/media/images/04.28.13.23_525.jpg)
Advertisement for American Mutual, c. 1960s
![The Inkblot and Popular Culture](/media/images/04.28.13.24_525.jpg)
Advertisement for The Bell System, c. 1960s
![The Inkblot and Popular Culture](/media/images/04.28.13.25_525.jpg)
Advertisement for Bal de Tete, perfume, c. 1960s.
![The Inkblot and Popular Culture](/media/images/04.28.13.26_525.jpg)
Advertisement for Bal de Tete, perfume, c. 1960s.
![The Inkblot and Popular Culture](/media/images/04.28.13.27_525.jpg)
Head & Shoulders: “INK BLOT” Print Ad by Saatchi & Saatchi for P&G, April 2008
![The Inkblot and Popular Culture](/media/images/04.28.13.28_525.jpg)
Rivet Jeans, 2006, Advertising Agency: JWT India
![The Inkblot and Popular Culture](/media/images/04.28.13.29_525.jpg)
By Daniel J. Richardson, Project 54, Richmond, VA
![The Inkblot and Popular Culture](/media/images/04.28.13.30_525.jpg)
Prime Retail - "Ink Blot" Trade Ad - The "Ink Blot" ad simply calls emphasis to the brand's tag line: The power of passionate shopping. The image used to create the ink blot is one of the client's most cherished properties, Prime Outlets, San Marcos. Sean McGinnis, Art Director, Philadelphia, PA
![The Inkblot and Popular Culture](/media/images/04.28.13.31_525.jpg)
Brand: Karkimedia: Young Lions Finland 2010 Competition; DDB Helsinki, March 2010
![The Inkblot and Popular Culture](/media/images/04.28.13.32_525.jpg)
Swedish fashion designer Sandra Backlundcreated her famous Ink Blot Collection, which won the top prize at the international fashion festival at Hyères, France, in May 2007.
![The Inkblot and Popular Culture](/media/images/04.28.13.33.jpg)
Sandra Backlund, dress from her Ink Blot Collection, 2007.
Comments [5]
I love “Crazy” from Gnarls Barkley by the Award-winning design studio Blind.
http://www.blind.com/work/project/gnarls-barkley-crazy/
Thank you John "!"
04.28.13
02:59
04.28.13
03:15
04.28.13
05:19
His inkblot drawings and collages are complex and often multilayered, with a formality that stands in contrast to the low-tech irony of his wonderful films.
http://www.theinkblotbook.com/468/the-fantastic-inkblots-of-bruce-conner/
04.28.13
08:58
06.10.13
12:23